Concert Hall Acoustics—1991

Wheel of Concert Hall Acoustics

Powered by TCPDF (www.tcpdf.org) This material is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print cop...

Concert hall acoustics: Recent findingsa)

Forum is intended for communications that raise acoustical concerns, express acoustical viewpoints, or stimulate acoustical research and applications without necessarily including new findings. Publication will occur on a selective basis when such communications have particular relevance, importance, or interest to the acoustical community or the Society. Submit such items to an appropriate ass...

The Acoustics of a Concert Hall

The main purpose of a concert hall is to convey sound from musicians to listeners and to reverberate the music for more pleasant experience in the audience area. This process is linear and can be represented with impulse responses. However, by studying measured and simulated impulse responses for decades, researchers have not been able to exhaustively explain the success and reputation of certa...

A Study of Concert Acoustics : Understanding Phi Beta Kappa Hall

Perception of music dynamics in concert hall acoustics.

Dynamics is one of the principal means of expressivity in Western classical music. Still, preceding research on room acoustics has mostly neglected the contribution of music dynamics to the acoustic perception. This study investigates how the different concert hall acoustics influence the perception of varying music dynamics. An anechoic orchestra signal, containing a step in music dynamics, wa...